I was lucky enough to win a copy of Everything is Teeth by
Evie Wyld and Joe Sumner from Cape Graphic Novels/Vintage at PRH. I was drawn
to it because, as a girl, Evie Wyld was fascinated by/obsessed with sharks and
there are points in my life when I have been too. It’s a weird curiosity - one merged
with fear and horror and awe and respect and it was only a while ago I began to
realise how much this ‘fear’ had been shaped by twisted portrayals in the media
and film – all from a very deliberate fear-mongering, self-interested, human
perspective. People are infinitely scarier, infinitely crueller and infinitely
more senseless than sharks and always will be. The things we do to the world around us, and to sharks, are infinitely worse than those they 'do' to us.
Everything is teeth and everything can hurt us. |
Sharks, unfortunately, evoke many of the states
that makes us afraid – being unexpectedly dragged down, alone in a wide
expanse, at the mercy of nature and in an environment of which we’ve barely
scratched the surface. These ideas, suspicions and nightmares overtake reality.
The sea is a space on earth where man has been unable to stake his claim and
power and domination – it is beyond our control and comprehension.
This graphic novel is a memoir of Evie’s childhood, divided between
Peckham and Australia and is illustrated brilliantly by Joe Sumner. He
interweaves a couple of different styles – with the stark photorealism of the
sharks and the horrific, gruesome injuries sustained by shark attack survivor Rodney
Fox, and simple cartoonish depictions of the human characters and settings. The
colour palette is predominantly black and white, while the Australian
landscapes are sometimes tinted with a weak but warm yellow and the shocking
crimson of blood. For me, the photographic quality of the sharks is a brilliant
contrast to everything else – they are what is most real and vivid and show how
our fears can be more sharply defined than reality. Their realism also cements
them as the focus and fixation of young Evie, their clarity is a strange kind
of relief against the more subtle emotional undertones of her life. One of the
facts that most fascinates Evie is that shark skin is serrated, capable of
cutting you on its own, brushing against you by accident. They are both a grand
metaphor for fear and loss but also intrinsically important in themselves.
This is generally quite a subtle and quiet book, the more
important things are left unsaid but linger beneath the surface. There are
hints of difficulties within the family, her father comes across as an
isolated, disconnected character and her brother returns from being bullied at
school, comforted only by her shark stories.
Throughout the narrative, this question is at the heart: are
sharks fantastical man-eating monsters or innocent creatures who seek survival
like all other life forms?
One of the most affecting pages is an image of a beached
shark, ‘fat with young’, and when cut open, ‘they lie in dead rows. They look
like puppies, soft and smooth and slippery’. Young Evie cradles one of the pups
as her uncle disassembles the carcass. Nothing needs to be said, as the
undertones are in the striking visuals and the short, descriptive sentences.
Evie admits that she feels worse ‘than when, in order to accommodate the new
microwave, the pet goldfish were poured into Peckham Rye pond’. This time the
trail of blood is of their own making and exploitation.
Every time her family venture into the sea, Evie cannot help
but envisage a scenario where they are eaten and taken from her – a hint at
that fear of death and loss that sits quietly in the story. My favourite
illustrations are those where Evie is walking down a street or across a field,
and a shark is ever present in the background – even as she sits on the sofa,
lies in her bed or washes in the bath. In a series of panels, cartoon Evie
morphs into a shark herself. It’s the quiet image always at the back of her
brain that seems to colour every experience.
Evie comes to realise that, it’s somewhat natural to be afraid of sharks
because we are afraid of death, but death is not all that they are. She accepts
that Rodney Fox went into the sea of his own accord and knew the risks and
rather than running away in fear – she seeks to learn and understand more about
the thing that’s made her afraid – to stare it in the face long enough for it
not to control or dictate the rest of her life.
I would love for sharks to be explored more fully in
literature and art, rather than simply as monsters and killing machines, Evie’s
memoir is a really interesting exploration of her own journey from fear to
acceptance. It’s a quiet book, with no dramatic climax, and no argument beyond
the subtle inflections of the imagery and words, but it’s one that lingers in
your mind and will leave you scratching at the surface, wanting to know more and better understand what it is that you're really afraid of.